Not my king

I finished curating the mixtape Not my king while living in the outskirts of Xixón, however, most of the inspiration came from our times living in the caravan in the meadow.
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Fémina: Los senos (Argentina, 2011)
Originally, I got to know Fémina through their amazing gig at KEXP. It’s a powerful band from Patagonia playing hiphop-soul-folk music. In the past year, I had the chance to live together with an Argentian family and I feel like even more bonded to their music now. Nonetheless, a great opportunity to practice Spanish listening comprehension.
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TEKE::TEKE: Yoru Ni (Montreal, 2021)
This group is from Canada. They play some badass Japanese influenced rock music. This particular song is a crazy surf rock hit.
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CONSUMATA: Vida (New York, 2019)
Riding the same wave, Consumata mixes in some cumbia, dub and punk.
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Ignacio Maria Gomez: Nensalinya Teni (Argentina, 2020)
I discovered Ignacio’s music through Ana. It’s not the typical genre I would dig. Perfect for slow, gloomy mornings.
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Amino Belyamani: 1833 (New York, 2011)
I bumped into this NYC based band while exploring Bandcamp. They play North African jazz music. I particularly enjoy this song because of the tribal influenced piece it features in the middle of the song.
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Zoe Keating: The Path (Vermont, US, 2010)
I love the double bass and cello. I started to appriciate these instruments thanks to some jazz impro bands I had the chance to see live in Budapest. Then Dawn of Midi showed me how to create electronic music with a double bass.
Zoe Keating is a one-woman cello orchestra using a loop machine to combine her samples.
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Michael Rother: Feuerland (Brussels, 2017)
Michael Rother was a member of both Kraftwerk and Neu!, pioneers of electronic music and krautrock. It turns out, he had solo projects too.
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La Ira de Dios: Empirea (Lima, 2003)
Peruvian space rock. I guess this is a rock music mixtape in the end.
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Thurston Moore: Hashish (London, 2020)
I don’t resonate so much with Moore’s poetry, but his guitar play is mesmerizing. I could listen to his riffs forever and forever more.
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GDDLF: Fue fantástico estar bien (dirty mix) (Oviedo, Spain, 2020)
A zero kilometre produce. Rock music from the capital of the region where I live at.
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Holnaplányok: Exeim a csicskáim (Budapest, 2019)
Contemporary, feminist punk from the country I was born at.
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Meszecsinka: Ég veletek (Budapest, 2022)
Meszecsinka has just disbanded. Ég veletek! My favorite Hungarian band. Probably they were the band I saw the most times in my life. They played a beautiful collage of world music and psychedelic rock. I will really miss them.
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Hang Massive: Sudden (Bristol, 2018)